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Space suits, which are an extension of underwater suits, have a long history in both fiction and real life. Project RHO has a pretty interesting pictorial history of the space suit that include a bit of both fact and fiction.

The page includes photos from NASA and illustrations from the pulp magazines. It’s a pretty interesting read, too.

The website has several pages dedicated to various topics such as future history, artificial gravity, side arms and more.

Explore “Atomic Rockets” here.

A lot of science fiction stories explore different aspects of fear, most especially the fear of loss:

• loss of self or identity,
• loss of autonomy or freedom,
• loss of values held dear,

and more. One of the classics that has been reinterpreted numerous times, including last year’s Nicole Kidman and Daniel Craig film, The Invasion,, is The Body Snatchers by Jack Finney.

Written in 1955, the book has inspired four films and, doubtless, more to come. I found this very interesting article about the history and the different ways in which human duplicates have been used in fiction and film at the National Post. Check it out — it is quite interesting:

Scott Van Wynsberghe: A brief history of body-snatching

I recently read Mike Treder’s Aug. 14, 2007, post at ieet.org about “Post-Millennial Malaise in SF?” and it got me to thinking about the link between future thinking and science fiction.

I can’t remember if I mentioned this before, but there is a pretty good theory about the rise of science fiction that says science fiction couldn’t exist until people realized that the future was going to be different than today. Basically, people’s lives were pretty much the same as the lives of their parents until the Industrial Revolution brought rapid change to society.

So, fast-forward to today where change is so fast, and so constant that people’s lives can change radically — several times even — within their own lifetime. Now its not just my grandchildren or children who will live their lives differently, but myself.
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Sorry for the long break — long story that I don’t need to go into here. But I’m back now and hope to post much more regularly!

This Christmas I asked for and received the Starman DVD set. For those of you who do not know of which I speak, Starman was a Japanese superhero created in the late 1950s and based on Superman. In Japan, he was known as Supergiant and was the star of several 50-minute serials. In the early 1960s, Walter Manly Enterprises acquired the U.S. right and cut them together into six 75-minute films, dubbed in English for American television consumption.

These were the films I grew up on. I loved Starman — I think I had a pre-teen crush on him. I used to play Starman at recess and pretend that I was a part of the films I watched on the weekend.
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Each Fall I eagerly await the new slate of TV shows. Which ones will I enjoy and keep up with? Which ones will I enjoy and they’ll get cut anyway? Which ones will I pass on in disgust, only to discover they are a big hit?

With each passing year, I’ve noticed an increasing number of science fiction and other genre-themed TV shows. But I’ve also noticed another trend — the “mundaning” of science fiction. Now, don’t get me wrong, I love Lost and Heros, but I also noticed that they are fairly stripped of their SF trimmings. They are science fiction for the mundane.

Is this a bad thing? I don’t rightly know. To some degree it is a good thing, because it introduces SF to a wider audience, some of whom may then go on to explore the real thing.

But then the really good quality SFTV is getting to fewer and farther between. For example, I am a big fan of Babylon 5, and in my opinion it is one of the best SF TV shows ever. It made #5 in Boston.com’s Top 50 Science Fiction TV Shows of All Time. But that show had a struggle because it wasn’t as accessible to the average Joe as a show such as Journey Man has.

Now that I’ve written this all down, I’m not really sure where I’m going with it. But I have this feeling in my gut that as reality catches up to SF, SF needs to keep pushing forward to maintain its edge — the edge that made me fall in love with it when I was 5 years old and has held me for the decades since.

Do any of you have those feelings? I know some people share my angst, for articles such as Mike Treder’s article, “Post-Millennial Malaise in SF?“, are still being written.

Guest Writer: Eoghann Irving

Isaac Asimov is one of the best known science fiction writers of all time. In part that is probably due to the sheer volume of material which he wrote, but it is also due to the scale of his imaginative vision.

Over the course of 50 years, Asimov wrote over 500 books, essays and short stories. He won four Hugo Awards and one Nebular Award along with countless other lesser known awards.

Biography

Isaac Asimov was more than simply a science fiction writer. A biochemist with a Ph.D. to his name, Asimov also wrote a number of popularized science books which explain many scientific concepts in a historical way. A long time member of Mensa (whom he described as intellectually combative), he was more proud of being president of the American Humanist Association. Read more »

Guest Writer: Groshan Fabiola

In 1977, Star Wars reintroduced the world to the serialized space opera with groundbreaking results both creatively and financially. In the wake of this paradigm shift came a gaggle of embarrassing me-too projects both for film and television. Then there was Battlestar Galactica.

Battlestar Galactica was the brain-child of producer/writer/director Glen Larson. It was both a pastiche of the Star Wars formula, and a bizarre melding of wagon train and Egyptian mythology. The series chronicled the adventures of a “Rag Tag Fleet” running from the Cylons, a mechanized horde of robots lead by a human traitor; their destination is a mythical world called “Earth”. Battlestar Galactica was a success both theatrically and on the television. Despite it’s campy acting and plot lines there was an endearing element in the quest of these characters. Battlestar Galactica never made any apologies for borrowing the character archetypes made so popular in Star Wars. Apollo is a dark haired Luke Skywalker, Sheba the strong female cut from the Princess Leia strand, and Starbuck as the charismatic scoundrel that Han Solo would surely approve of. Despite these obvious pastiches, Battlestar Galactica got away with it. Read more »